Wedding film is never just about the visuals, but rhythm. It is about the quiet timing between two people, the glances, pauses and small smiles. When two people move effortlessly around each other, you can feel it even before a word is spoken.
With Anna and Aldi, that rhythm was there from the start. They weren’t stiff nor awkward, but completely at ease with each other. No forcing of moments, everything flowed naturally.
Anna, being a model, understands the camera instinctively. She knows how to move, how to turn, how to hold a moment. But what I appreciated most was how she would subtly lead Aldi when needed. And Aldi holds his own charm. Not overly flashy or expressive, but you don’t need big gestures to see how much he loves her. He shows it in proximity, attention, and action.
The part I remember most is the Akad. The sky had been heavy and grey, almost as if rain was about to fall. But right after Aldi finished reciting the words, sunlight slowly broke through the clouds and filled the space. It felt symbolic, as if their union was gently being blessed.
Another standout moment was the cultural blend. Javanese traditions were woven together with Russian performances. It was more than entertainment. It was respect. Roots and backgrounds honored and celebrated openly.
What I wanted this film to show was simplicity wrapped in spectacle. A mix of joyful memories and sincere affection, and most importantly, the way they truly enjoy being around each other.
That’s what makes a story worth filming.
Robb.

